It's one of the many iconic images of The Singing Detective (1986) - young Philip Marlow in the branches of an oak tree; long shot slowly zooming in; then Philip directly addressing us the viewer: "When I grow up, I be going to be - a detective". John Belcher was engaged by the producers to act as a location scout and fixer for location filming in the Forest of Dean for Potter’s latest BBC drama serial. The scenes with Philip up the tree were originally intended to be shot at Devil's Chapel near Bream. Part of the Bledisloe estate it is an atmospheric woodland atop scowle holes - the local term for the remains of ancient iron-ore excavations & erosions. It’s mysterious dips, ‘potholes’ and their history inspired poet F W Harvey to write a poem of the same name, and was the site of music and performance events in the 1930’s organised by Harvey (upwards of 2,000 people attending). In 1986 it was not an easy site to access for a film crew, and with deep holes and ravines concealed by bracken and ferns was a potentially dangerous. So instead John suggested Nagshead enclosure near Parkend. Today it is an RSPB nature reserve. What of that tree - nearly 40years later could it be identified? On a warm and wet summer's morning a trip with John to Nagshead brought back memories of the shoot. A screengrab helped - that strong perpendicular branch, the tree was so tick etc. But how much does an oak tree change in 40 years? How much has grown up around it, changes in access to light shaping its branches. There were plenty of candidates - including some fine fallen veterans, their carcass left as a habitat and to rot down as feed for the next generation of trees. We didn't find the tree - but knowing that's where those scenes were filmed brought the challenges of location filming into sharper focus. You can hear John recalling his role in the production, and hear Lyndon Davies' recollections of filming 'up the tree' on this site - just click the Digital Stories tab at the top of this page.
In 1968 Dennis Potter was already a controversial figure in his native Forest of Dean when for his next play he took as inspiration a notorious local event: 'the killing of the bears'. In 1889 four Frenchmen touring the district with their dancing bears were attacked by a mob prompted by a false rumour that a local child had been killed by one of their bears. The men were badly beaten and both bears were killed - a source of disgrace for the Forest, and controversy to this day as to which community was responsible. Such was the potency of this dark moment in Forest history that reaction against Potter’s choice of subject prompted a slew of letters to the local newspapers even before filming had started. This correspondence provides a fascinating insight into the Forest community’s relationship with the events of (then) eighty years before, but even more so with Potter himself. Delving into the production and local reception of Dennis Potter’s television play A Beast with Two Backs (1968) as played out through the pages of the local Forest newspapers, this talk by Dr Jason Griffiths will address the relationship at the time between Potter and this particular audience, how he engaged with it through his own correspondence, and will question what impact this had on him and his writing.
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